Modern Architecture, capitalised thus, is now securely and uncontroversially compartmentalised into art history, its bombast muted, its hard-edge revolutions blurred by debased familiarity. You have been to Catford? You have seen a heroic vision compromised.
Modern Architecture is no more threatening than abstract art, although the Swiss-French Le Corbusier retains a heady whiff of the opprobrium which attaches to bogeymen.
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