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Opera

Khovanskygate is about the dreadfulness and possible glory of being Russian

Plus: Danielle de Niese irritates in the Met’s otherwise musically marvellous new Così fan tutte

3 May 2014

9:00 AM

3 May 2014

9:00 AM

Khovanskygate: A National Enquiry

Birmingham Opera Company, until 2 May

Così fan tutte

Met Opera Live

Within the space of a few weeks we have had the rare chance of seeing the two great torsos of Russian opera, Borodin’s Prince Igor, unfinished because the composer was often otherwise engaged, and Musorgsky’s Khovanshchina, unfinished because its composer died of drink. Prince Igor at the Coliseum was musically magnificent, and dramatically utterly absurd, ‘self-parody’ that did not do justice to its low-jinks.

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