For Edmund de Waal a ceramic pot has a ‘real life’ that goes beyond functionalism.This handsome book (designed by Atelier Dyakova) at the mid-point of his career, raises the question: ‘How good an artist is he?’
It is discursive, comprising essays by A.S. Byatt and Alexandra Munroe, short stories by Colm Tóibín and Peter Carey, an elegant photographic essay by Toby Glanville, a look at de Waal’s life to date by Emma Crichton-Miller and a piece by the man himself.
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