<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Books

The British countryside in prints and paper-cuts

A review of Of Green Leaf, Bird and Flower, by Elizabeth R. Fairman. The images are mostly astounding but the essays are a mixed bag

26 July 2014

9:00 AM

26 July 2014

9:00 AM

Of Green Leaf, Bird, and Flower Elisabeth R. Fairman

Yale, pp.247, £40, ISBN: 9780300204247

The Yale Center for British Art holds the largest collection of British art outside the UK. An impressive collection it is too, largely bequeathed by Paul Mellon of the American banking dynasty. He holidayed in England as a child before the first world war and, having developed a taste for ‘dappled tan cows in soft green fields’, began acquiring British works on natural history as a young man.

Already a subscriber? Log in

Black Friday sale

Subscribe today and get 10 weeks of The Spectator Australia for just $1

  • Unlimited access to spectator.com.au and app
  • The weekly edition on the Spectator Australia app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

Available from the Spectator Bookshop, £34. Tel: 08430 600033

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Black Friday sale

Subscribe today and get 10 weeks of The Spectator Australia for just $1

Already a subscriber? Log in

Close