<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Features Australia

Dark star

Hugo Weaving is scarily good in Sydney Theatre Company’s innovative reworking of <i>Macbeth</i>

2 August 2014

9:00 AM

2 August 2014

9:00 AM

The cover of the programme for Sydney Theatre Company’s minimalist new Macbeth is as stripped as Birnam Wood will be by the play’s end. There are no words — no title, no byline for the greatest writer in history — just a black-backdropped close-up photograph of Hugo Weaving, as high-domed as Jack Nicholson and maybe just as crazy.

Already a subscriber? Log in

Subscribe for just $2 a week

Try a month of The Spectator Australia absolutely free and without commitment. Not only that but – if you choose to continue – you’ll pay just $2 a week for your first year.

  • Unlimited access to spectator.com.au and app
  • The weekly edition on the Spectator Australia app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Don't miss out

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close