It’s not every day that someone performs a gynaecological exposé at one of the world’s most hallowed art institutions. So it was surprising that the arrest of Deborah de Robertis at the Musée d’Orsay in June 2014 for ‘sexual exhibitionism’ garnered only fleeting media attention. De Robertis is a Luxembourgian performance artist (it sounds like a euphemism, doesn’t it?) who concerns herself with visceral explorations of female sexual taboos in an effort to subvert the male gaze.
Already a subscriber? Log in
Subscribe for just $2 a week
Try a month of The Spectator Australia absolutely free and without commitment. Not only that but – if you choose to continue – you’ll pay just $2 a week for your first year.
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Unlock this article
Catherine Baxendale blogs at thebaxendaleblog.wordpress.com
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Don't miss out
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
SUBSCRIBEAlready a subscriber? Log in