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Dance

La Fille mal gardee at the Royal Opera House reviewed: light, lithe and tender

Plus: Kirov goddess Diana Vishneva shows what happens when Russian ballerinas disappear up their own mythology

25 April 2015

9:00 AM

25 April 2015

9:00 AM

La Fille mal gardée

Royal Opera House, in rep until 5 May

Diana Vishneva: On the Edge

London Coliseum

The current talking-point at the Royal Ballet is the Russians milling around. One can sound unfortunately as if one’s starting a Ukip conversation here, but the Royal Ballet never used to be short of half a dozen home principals, any one of whom could be looked on as sufficiently glittery to attract the opening-night audience.

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