<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Museums

Renzo Piano’s new Whitney Museum is very good news - for the Met

Like the High Line, the Whitney has grown into a monster, says James Fenton, and in its new show, America Is Hard To See, the country’s minor artistic talents attempt to topple the art stars

23 May 2015

9:00 AM

23 May 2015

9:00 AM

About six years ago the first section of the now celebrated High Line was opened in New York and made a palpable hit both locally and internationally. Locally it revealed what one might have guessed, that the inhabitants of Manhattan’s downtown suffered a severe lack of amenity. Every place to walk or run or ride a bike, every place to exercise the dog, is valuable and well used.

Already a subscriber? Log in

Subscribe for just $2 a week

Try a month of The Spectator Australia absolutely free and without commitment. Not only that but – if you choose to continue – you’ll pay just $2 a week for your first year.

  • Unlimited access to spectator.com.au and app
  • The weekly edition on the Spectator Australia app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

The Whitney Museum’s exhibition ‘America Is Hard To See’ runs until 27 September. James Fenton has worked as a political journalist, drama critic and war correspondent, and was Oxford Professor of Poetry from 1994 to 1999.


Comments

Don't miss out

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close