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Arts feature

Martin Gayford finds a few nice paintings amid the dead trees, old clothes and agitprop of the Venice Biennale

The scattered high points include work by Joan Jonas, Georg Baselitz, Peter Doig, Patricia Cronin and Sean Scully - but Sarah Lucas gets half marks

16 May 2015

9:00 AM

16 May 2015

9:00 AM

At the start of Canto XXI of the ‘Inferno’, Dante and Virgil look down on the pit of Malebolge, the Eighth Circle of Hell, in which sinners guilty of simony, hypocrisy and graft are punished. The last of those spend eternity immersed in a river of bubbling pitch. This sinister black liquid, the poet noted, looks much like the tar that Venetians boil up in their arsenal to smear over the hulls of their ships.

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