Three staples of the Italian repertoire, performed and seen in very different circumstances, have confirmed my view that they deserve their place in the repertoire, however many other works by their composers or contemporaries may be unearthed.
I saw OperaUpClose’s version of Donizetti’s The Elixir of Love in the Mumford Theatre Cambridge, an underused venue that has the advantage of being 200 yards from my house.
Already a subscriber? Log in
Black Friday sale
Subscribe today and get 10 weeks of The Spectator Australia for just $1
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Black Friday sale
Subscribe today and get 10 weeks of The Spectator Australia for just $1
SUBSCRIBEAlready a subscriber? Log in