On the evening of 10 March 1804, Samuel Taylor Coleridge settled at a desk in an effort to articulate what he found so appealing about the 17th-century English polymath Sir Thomas Browne, the man he numbered among his ‘first favourites’ of English prose. He mentions Browne’s formal qualities, of course: he is ‘great and magnificent in his style and diction’; his Urne-Buriall ‘redolent of graves and sepulchres’ in every line.