Is Stravinsky’s The Rake’s Progress anything more than an exercise in style? ‘I will lace each aria into a tight corset,’ Stravinsky told Nicolas Nabokov, and for most of three acts that’s pretty much what he does, deftly fitting W.H. Auden and Chester Kallman’s libretto to a steadily chugging parade of his smartest, pertest neoclassical tricks.
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