<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Arts feature

Palladio was the greatest influence on taste ever – but his time is finally up

The Italian architect gave his name to a style that spread around the world. But has Palladianism been too successful for its own good, asks Stephen Bayley

29 August 2015

9:00 AM

29 August 2015

9:00 AM

Somewhat magnificently, I made the notes for this article sitting in the back of a Rolls-Royce travelling between London and Goodwood. It’s a journey that provides ample evidence of how the classical language of architecture, at least in Palladio’s version, has infiltrated our imaginations and informed our concept of grandeur.

Already a subscriber? Log in

As the US decides, so can you

Subscribe today and get a $50 Amazon gift card if you correctly predict the next US president.

  • Unlimited access to spectator.com.au
  • The weekly edition on the Spectator Australia app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

Palladian Design: the good, the bad and the unexpected, The Architecture Gallery, Riba, 9 September 2015–9 January 2016.

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

As the US decides, so can you

Subscribe today and get a $50 Amazon gift card if you correctly predict the next US president.

Already a subscriber? Log in

Close