Novels set in the music business (from blockbuster to coming-of-age) are few and far between — far less than in the film industry, say. Is this because writers are scared of looking square, Daddy-O, being as a breed not the most ‘street’ of types, whereas pop stars have traditionally been quite rough, ready and proletarian? Mind you, these days so many chart musicians are privately educated bedwetters that, shamefully, this shouldn’t be a problem any longer.
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