<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Exhibitions

Sensory overload: Paul Neagu, Anthony Caro and Bernat Klein reviewed

From palpable sculpture to painterly textiles, Claudia Massie explores three new shows at the Henry Moore Institute, The Hepworth and Dovecot Studios

5 September 2015

9:00 AM

5 September 2015

9:00 AM

Paul Neagu: Palpable Sculpture

Henry Moore Institute, Leeds, until 8 November

Caro in Yorkshire

The Hepworth, Wakefield, until 1 November

Bernat Klein: A Life in Colour

Dovecot Studios, Edinburgh, until 26 September

‘The eye is fatigued, perverted, shallow, its culture is degenerate, degraded and obsolete.’ Welcome to the Palpable Art Manifesto of Romanian sculptor Paul Neagu. Art must be accessible to all the senses, he argued, for ten fingers will explain more than two eyes and the tongue might tell yet more again.

Already a subscriber? Log in

Black Friday sale

Subscribe today and get 10 weeks of The Spectator Australia for just $1

  • Unlimited access to spectator.com.au and app
  • The weekly edition on the Spectator Australia app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Black Friday sale

Subscribe today and get 10 weeks of The Spectator Australia for just $1

Already a subscriber? Log in

Close