<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Diary

Edmund de Waal’s diary: Selling nothing, and why writers need ping-pong

Plus: Literary speed dating at Yale, and an installation near Salisbury

10 October 2015

9:00 AM

10 October 2015

9:00 AM

On the top landing of the Royal Academy is the Sackler Sculpture Corridor, a long stony shelf of torsos of gods, martial bodies, heads, a vast foot. At one end Michelangelo’s Taddei Tondo is hidden behind slightly green glass. It is worth any pilgrimage. At the other end is a modest door into the print room and library.

Already a subscriber? Log in

Black Friday sale

Subscribe today and get 10 weeks of The Spectator Australia for just $1

  • Unlimited access to spectator.com.au and app
  • The weekly edition on the Spectator Australia app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

Edmund de Waal’s The White Road: a Pilgrimage of Sorts is published by Chatto and Windus. Edmund de Waal is a potter, and the author of The Hare with Amber Eyes and, most recently, The White Road.

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Black Friday sale

Subscribe today and get 10 weeks of The Spectator Australia for just $1

Already a subscriber? Log in

Close