Suffragette is one of those films in which the parts are greater than the sum. Or, in this instance, the part, singular, as it’s Carey Mulligan’s central performance that gives this the emotional power it might otherwise lack, and the sense of involvement it might otherwise lack, and she therefore saves the day, thank Christ.
Already a subscriber? Log in
Subscribe for just $2 a week
Try a month of The Spectator Australia absolutely free and without commitment. Not only that but – if you choose to continue – you’ll pay just $2 a week for your first year.
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Comments
Don't miss out
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
SUBSCRIBEAlready a subscriber? Log in