Brahms’s Clarinet Quintet begins, writes his biographer Jan Swafford, with ‘a gentle, dying-away roulade that raises a veil of autumnal melancholy over the whole piece: the evanescent sweet-sadness of autumn, beautiful in its dying’.

This being late autumn, I listened to the quintet on Sunday to see if its ‘distillation of Brahmsian yearning’ still made an overwhelming impression on me.