<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Sculpture

The work of Elisabeth Frink is ripe for a renaissance

Her reputation has been in the doldrums for too long, undermined by ubiquity, then neglect. Djanogly Gallery's new show hopes to set the record straight

21 November 2015

9:00 AM

21 November 2015

9:00 AM

In a converted barn in Dorset, not far from the rural studio where she made many of her greatest sculptures, Elisabeth Frink’s son Lin is showing me his incredible collection of his mother’s work. More than 20 years since his mother died, he’s kept the vast bulk of it together.

Already a subscriber? Log in

As the US decides, so can you

Subscribe today and get a $50 Amazon gift card if you correctly predict the next US president.

  • Unlimited access to spectator.com.au
  • The weekly edition on the Spectator Australia app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

Elisabeth Frink — The Presence of Sculpture is at the Djanogly Gallery, Nottingham, from 25 November to 28 February 2016.

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

As the US decides, so can you

Subscribe today and get a $50 Amazon gift card if you correctly predict the next US president.

Already a subscriber? Log in

Close