<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Features

Who killed murder?

A detective writer lines up the suspects on the mysterious worldwide decline of murder and robbery

19 March 2016

9:00 AM

19 March 2016

9:00 AM

Pity the poor crime writers. Our earnings, like those of all authors, are diminishing for reasons far beyond our control. Our fictional criminals and detectives are being outsmarted by genetic fingerprinting, omnipresent security cameras and telltale mobile phones. Who needs Sherlock Holmes to solve a tricky crime when you have computers, with their unsporting ability to transmit and analyse enormous quantities of data and identify culprits? But the bigger problem for us novelists (if not for everyone else) is that murder itself is dying.

Already a subscriber? Log in

Subscribe for just $2 a week

Try a month of The Spectator Australia absolutely free and without commitment. Not only that but – if you choose to continue – you’ll pay just $2 a week for your first year.

  • Unlimited access to spectator.com.au and app
  • The weekly edition on the Spectator Australia app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

Andrew Taylor’s latest novel is The Ashes of London. Andrew Taylor is a winner of the Cartier Diamond Dagger for lifelong excellence in crime fiction, and a regular crime reviewer for The Spectator.

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Don't miss out

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close