<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Interview

As he approaches 80, the German master Georg Baselitz contemplates the end

'I am trying to understand why otherwise good artists porduced poor late works... and how can I go against that?' Martin Gayford meets Baselitz at White Cube Bermondsey

21 May 2016

9:00 AM

21 May 2016

9:00 AM

‘In many ways,’ Georg Baselitz muses, ‘I behaved against the grain of the times I grew up in.’ The era was 1960s Germany; in that context, Baselitz feels he was subversively respectable. ‘For example, I never took any drugs. I have been a very faithful husband, I just wanted to hold on to my wife, I wasn’t interested in straying.

Already a subscriber? Log in

Black Friday sale

Subscribe today and get 10 weeks of The Spectator Australia for just $1

  • Unlimited access to spectator.com.au and app
  • The weekly edition on the Spectator Australia app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

Georg Baselitz: Wir fahren aus (We’re off) is at White Cube Bermondsey until 3 July.

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Black Friday sale

Subscribe today and get 10 weeks of The Spectator Australia for just $1

Already a subscriber? Log in

Close