A few years ago, I fell hopelessly in love with Harriet Walter. It only lasted an hour or two: she was playing Brutus in Phyllida Lloyd’s all-female production of Julius Caesar, and there she was, aloof, damaged, burning with pride and suppressed sorrow.
The Donmar theatre’s production was set in a women’s prison, as if performed by inmates.
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As the US decides, so can you
Subscribe today and get a $50 Amazon gift card if you correctly predict the next US president.
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