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Books

Ali Smith’s Winter is calm, cool and consoling

4 November 2017

9:00 AM

4 November 2017

9:00 AM

In 1939, Barbara Hepworth gathered her children and her chisels and fled Hampstead for Cornwall. She expected war to challenge her passion for abstract form. But her commitment deepened. The solid ovoids she sculpted carried the weight of grief and the hope of eggs. To Hepworth, they became ‘forms to lie down in, or forms to climb through’.

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