The Vienna variation of the Queen’s Gambit is notable for a line in which the pieces conduct an elaborate dance around respective captures on opposite sides of the board. The variation has come into prominence as a result of a game from the recently concluded Berlin Candidates tournament. On the whole, in spite of the tactical complexities, Black appears to be emerging with safety, as is explained in the new book Queen’s Gambit Declined: Vienna by Krzysztof Panczyk and Jacek Ilczuk (Everyman Chess).
Already a subscriber? Log in
Subscribe for just $2 a week
Try a month of The Spectator Australia absolutely free and without commitment. Not only that but – if you choose to continue – you’ll pay just $2 a week for your first year.
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Don't miss out
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
SUBSCRIBEAlready a subscriber? Log in