<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Opera

Thrilling energy & humour from Longborough Festival Opera: Ariadne auf Naxos reviewed

28 July 2018

9:00 AM

28 July 2018

9:00 AM

‘They’ve dined well, they’ve drunk their fill, their brains are dull and slow. They’ll sit snoozing in the dark until they hear some applause, and then, out of courtesy, they’ll wake up’. Hugo von Hofmannsthal’s words, not mine. I’ve never bought the notion that Strauss and Hofmannsthal’s Der Rosenkavalier somehow predicts the first world war.

Already a subscriber? Log in

Black Friday sale

Subscribe today and get 10 weeks of The Spectator Australia for just $1

  • Unlimited access to spectator.com.au and app
  • The weekly edition on the Spectator Australia app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Black Friday sale

Subscribe today and get 10 weeks of The Spectator Australia for just $1

Already a subscriber? Log in

Close