Before she was the subject of true-crime mythologising, Catherine Eddowes made her living from it, selling ballads based on real-life murders to avid Victorian audiences. The historian Hallie Rubenhold suggests that Eddowes may have written them too; unusually for a working-class woman, she was literate. Still, the possible example of her work that Rubenhold reproduces in The Five shows no sign that female authorship led to incipient feminist consciousness.