New York
Should art mirror the world as it is, or does an artist fail the public if the work looks back to a time before the grotesqueries of the present? Back, back, I say, but that’s to be expected. I’m such a fan of the past that if I could have one wish granted by The Spectator it would be for a review by Deborah Ross of the most uplifting movie ever, Ladies in Black, directed by the great Australian Bruce Beresford.
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