On Wednesday morning, I was hoisted into the air of Whitehall on a cherry-picker. A century ago the proto-Cenotaph appeared in time for the London Peace Parade in July 1919, which followed the signing of the Treaty of Versailles. In that first year, the Cenotaph was only a timber and canvas structure, built to last a week; but Edwin Lutyens’s design seemed so right that the present structure, more precisely designed, was built in Portland stone for Remembrance Day 1920.
Already a subscriber? Log in
Subscribe for just $2 a week
Try a month of The Spectator Australia absolutely free and without commitment. Not only that but – if you choose to continue – you’ll pay just $2 a week for your first year.
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Don't miss out
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
SUBSCRIBEAlready a subscriber? Log in