For the past several decades, little in my life as a professional pianist has been as constant as my relationship with Beethoven. It has been intense, immersive, impassioned, hugely demanding and hugely enriching. In the current season, though, it has become something it never was before: exclusive.
Let me explain. Like any serious piano student, I first began to work on one of Beethoven’s piano sonatas around the age of ten.
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