For the past several decades, little in my life as a professional pianist has been as constant as my relationship with Beethoven. It has been intense, immersive, impassioned, hugely demanding and hugely enriching. In the current season, though, it has become something it never was before: exclusive.
Let me explain. Like any serious piano student, I first began to work on one of Beethoven’s piano sonatas around the age of ten.
Already a subscriber? Log in
Black Friday sale
Subscribe today and get 10 weeks of The Spectator Australia for just $1
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Black Friday sale
Subscribe today and get 10 weeks of The Spectator Australia for just $1
SUBSCRIBEAlready a subscriber? Log in