A family memoir is a dangerous thing to write: one has to balance between keeping one’s subjects happy and the reader engaged. The Bosnian–American author Aleksandar Hemon, now in his mid-fifties, takes the risk the better to recollect his past. While no two generations can completely avoid the proverbial gap, he ‘never (until fairly recently) felt guilty about that discontinuity’.
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As the US decides, so can you
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