Kathy Lette says that during lockdown she has been reading Dickens. Her choice illustrates the enduring appeal of Charles Dickens (1812-1870). At the Sydney Theatre Company in 1982-3, we staged David Edgar’s monumental adaptation of Nicholas Nickleby; it ran for 8 hours and 40 minutes. The power of Dickens’ story-telling had a tremendous impact on audiences; he is such a spellbinder.
Already a subscriber? Log in
Subscribe for just $2 a week
Try a month of The Spectator Australia absolutely free and without commitment. Not only that but – if you choose to continue – you’ll pay just $2 a week for your first year.
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Don't miss out
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
SUBSCRIBEAlready a subscriber? Log in