<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Aussie Life

Aussie Life

1 August 2020

9:00 AM

1 August 2020

9:00 AM

Statue deconstruction is becoming the Anglosphere’s most popular artistic genre. So why are our local avant-garde artists lagging behind? Sculpture vultures, like the desert variety, should leave no survivors. Our cities should be a vista of empty plinths but, no, to our shame all those racists, rapists, homophobes, slave-traders, colonialist exploiters, domestic-violence perpetrators, anti-Islamists and other assorted oppressors still stand tall in our streets and parks in the sculpted persons of inter alia Matthew Flinders, Burke and Wills, Queen Victoria, Henry Lawson and Simpson and his donkey.

Already a subscriber? Log in

Black Friday sale

Subscribe today and get 10 weeks of The Spectator Australia for just $1

  • Unlimited access to spectator.com.au and app
  • The weekly edition on the Spectator Australia app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Black Friday sale

Subscribe today and get 10 weeks of The Spectator Australia for just $1

Already a subscriber? Log in

Close