There’s a scene early on in A Song to Remember — Charles Vidor’s clunky Technicolor film of 1945 — in which the young Frédéric Chopin (Cornel Wilde) provides background music for a banquet hosted by Count Wyszynska in his Warsaw palace, plates of rubbery pig and candy-coloured vegetables in heady supply.
Already a subscriber? Log in
Black Friday sale
Subscribe today and get 10 weeks of The Spectator Australia for just $1
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Black Friday sale
Subscribe today and get 10 weeks of The Spectator Australia for just $1
SUBSCRIBEAlready a subscriber? Log in