Sophie Macintosh’s Blue Ticket is not classic feminist dystopia. Yes, it is concerned with legislated fertility, a world where women’s bodies are monitored like science projects by condescending medics.But the horror here is not impregnation but unwanted childlessness. Blue tickets, dispensed (randomly? It’s not clear) by a machine on a girl’s first bleed, decree a childless future; white tickets the opposite.
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