The arts world in general —and with it theatre in particular— is opening up. Not only is the Botticelli to Van Gogh: Masterpieces from the National Gallery in London on at the National Gallery in Canberra, but Bill Henson, as great a photographer as the world has known, has a show at Roslyn Oxley’s gallery in Sydney which brings to fulfilment various pictures that were first meditated and indeed ‘first’ drafted in the 1990s so that the viewer may be startled to recognise the faces of models or thematic configurations from 20 or more years ago.
Already a subscriber? Log in
Subscribe for just $2 a week
Try a month of The Spectator Australia absolutely free and without commitment. Not only that but – if you choose to continue – you’ll pay just $2 a week for your first year.
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Don't miss out
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
SUBSCRIBEAlready a subscriber? Log in