<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Lead book review

Why should art have ever been considered a male preserve?

Sixty years ago, women were still excluded from the art history canon, says Laura Freeman

1 May 2021

9:00 AM

1 May 2021

9:00 AM

The Mirror and the Palette: Rebellion, Revolution and Resilience: 500 Years of Women’s Self-Portraits Jennifer Higgie

Weidenfeld & Nicolson, pp.328, 20

Women in the Picture: Women, Art and the Power of Looking Catherine McCormack

Icon, pp.231, 12.99

‘I’m a lady,’ insists the improbable damozel in David Walliams’s Little Britain sketch. I’m a lady, I kept thinking, reading these two books. More: I’m a lady art historian. Oughtn’t I to like books by other lady art historians about lady artists and ladies in art. Why don’t I? Why so out of sync with the sisterhood?

Start with the positive.

Already a subscriber? Log in

Subscribe for just $2 a week

Try a month of The Spectator Australia absolutely free and without commitment. Not only that but – if you choose to continue – you’ll pay just $2 a week for your first year.

  • Unlimited access to spectator.com.au and app
  • The weekly edition on the Spectator Australia app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Don't miss out

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close