In the 18th century, art historians’ admiration for the beauty of white-ish ancient Greek marble statuary led people to draw conclusions, on the back of their belief in classical ‘authority’, about white superiority. This, we are told, turned many classicists into racists. Today some members of the Cambridge Classics Faculty feel the white-ish plaster-cast replicas of those statues in their museum ‘entrench[es] racism’ in the same way.