The Yeomen of the Guard has been called the ‘English Meistersinger’ but the more you think about that, the dafter it gets.
It’s not just the very obvious difference in scale and means between Wagner’s five-hour national epic and Gilbert and Sullivan’s sprightly opéra comique. Wagner’s whole drama builds to a collective affirmation of German art.
Already a subscriber? Log in
Black Friday sale
Subscribe today and get 10 weeks of The Spectator Australia for just $1
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Black Friday sale
Subscribe today and get 10 weeks of The Spectator Australia for just $1
SUBSCRIBEAlready a subscriber? Log in