‘In Argentina,’ Mariana Enriquez writes in Our Share of Night, ‘they toss bodies at you.’ It is an arresting, chilling image; one that Gaspar, the central character, experiences both literally and figuratively. Bodies are everywhere in this novel – whether dead, undead, dying or decomposing, at swim or making love – and what they feel and what they can know is the intellectual dynamic that underpins plotlines familiar from the work of Stephen King, the films of Guillermo del Toro and the horror drama Stranger Things.