It has become the standard practice of Australian property developers to decorate the hoardings around inner-city construction sites with photographs and engravings of the same streetscape 50, 100 and even 150 years ago. This is presumably done to mitigate the temporary disfigurement of a public space or thoroughfare, but all too often it reminds us that the buildings being put up are aesthetically inferior to the ones which have been knocked down.
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