Thrice nominated for the International Booker prize, the Argentine author Samanta Schweblin is part of a wave of Latin American writers whose work has been dubbed ‘narrative of the unusual’.

While Seven Empty Houses is less fantastical than Schweblin’s previous collection, Mouthful of Birds, the unease of the uncanny persists. Written as she was moving from Buenos Aires to Berlin, the seven stories depict displacement (there are a lot of boxes) and disturbance.