<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Opera

To die for: Grange Park Opera’s Tristan & Isolde reviewed

17 June 2023

9:00 AM

17 June 2023

9:00 AM

Tristan & Isolde

Grange Park Opera, in rep until 9 July

Princess Ida, or Castle Adamant

Queen Elizabeth Hall

There are a lot of corpses on stage at the end of Charles Edwards’s production of Tristan & Isolde for Grange Park Opera. At this stage in the drama, directors tend to fade out the bloodbath, the better to focus on Isolde’s final dissolution into bliss. But as Michael Tanner argues, Tristan, like the Ring, offers no bearable solution to its central problem, however much the music – that great deceiver – might try to persuade us otherwise.

Already a subscriber? Log in

Black Friday sale

Subscribe today and get 10 weeks of The Spectator Australia for just $1

  • Unlimited access to spectator.com.au and app
  • The weekly edition on the Spectator Australia app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Black Friday sale

Subscribe today and get 10 weeks of The Spectator Australia for just $1

Already a subscriber? Log in

Close