One of the most regrettable things about the last decade of general cultural awfulness has been the politicisation and sexualisation of drag. The crude and frequently obvious art of blokes dolled up in women’s clobber has been a golden thread running through British comedy for centuries, from Falstaff in The Merry Wives of Windsor to Jack Duckworth as Ida Fagg in Coronation Street.
Already a subscriber? Log in
Subscribe for just $2 a week
Try a month of The Spectator Australia absolutely free and without commitment. Not only that but – if you choose to continue – you’ll pay just $2 a week for your first year.
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Don't miss out
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
SUBSCRIBEAlready a subscriber? Log in