For a century King Lear has been thought of as the greatest of Shakespeare’s tragedies and the title role as the supreme test for an actor. What a challenge it is to hold the stage as the mad old king who gives away his kingdom to his daughters. Well, the first thing to say about Robert Menzies’ performance is that it could hold any stage in the world.
It doesn’t matter that Peter Evans’ production is a bit basic and may confuse people who are not intimate with the play.
Already a subscriber? Log in
Subscribe for just $2 a week
Try a month of The Spectator Australia absolutely free and without commitment. Not only that but – if you choose to continue – you’ll pay just $2 a week for your first year.
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Don't miss out
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
SUBSCRIBEAlready a subscriber? Log in