<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Pop

An uncompromising master: David Gilmour, at the Royal Albert Hall, reviewed

19 October 2024

9:00 AM

19 October 2024

9:00 AM

David Gilmour

Royal Albert Hall

Crowded House

The O2

It doesn’t matter which dictionary you consult, they all agree on what a song is: words, set to music, that are sung. Yet it’s also an entirely inadequate description, since there are so many types of song.

Take David Gilmour and Neil Finn, both men of passing years who like to switch between electric and acoustic guitars, both backed by plenty of singers and kindred instrumentation (though Finn didn’t have a pair of harps on stage with Crowded House), both playing music largely rooted in the late 1960s, both offering lightly mind-bending songs.

Already a subscriber? Log in

Get 10 issues
for $20

Subscribe to The Spectator Australia today for the next 10 magazine issues, plus full online access, for just $20.

  • Delivery of the weekly magazine
  • Unlimited access to spectator.com.au and app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Don't miss out

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close