The Duchess [of Malfi] has been partially updated by Zinnie Harris in a puzzling modern-dress production. The set by Tom Piper resembles a concrete bunker in an abandoned apartment block and Ben Ormerod’s lighting throws weird shadows across the playing area, which seems to consist mostly of discarded plywood sheets.
Already a subscriber? Log in
Black Friday sale
Subscribe today and get 10 weeks of The Spectator Australia for just $1
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Black Friday sale
Subscribe today and get 10 weeks of The Spectator Australia for just $1
SUBSCRIBEAlready a subscriber? Log in