A.N. Wilson has never been afraid of big subjects. His previous books have tackled the Victorians, Charles Dickens, Dante, Jesus and Hitler, to name just a few. So it’s hardly a surprise that he’s now decided to have a crack at Goethe’s Faust.
How do all the intellectual fireworks fit together? What, in short, does it all mean?
As literary whales go, they don’t get much bigger.
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