Saved from certain death at Auschwitz – by playing the cello
Exploring the relationship between the cello and its player, Kate Kennedy describes how Anita Lasker-Wallfisch’s musical gift enabled her to survive not just one but two Nazi death camps
Pure Puccini: an opera lover’s melodramatic family history
Flamboyant theatrics were part of Michael Volpe’s life as CEO of Opera Holland Park. But those of his feuding Italian relatives rival anything seen on stage
Harping on the music of our ancestors
From a series of mysterious objects – ‘flower flutes’, inscriptions, ‘little black things like beetles’ wing cases’ – Graeme Lawson conjures the haunting melodies of the past
The popularity of ‘Amazing Grace’ owes much to its melody
The song has evolved from Christian hymn to secular anthem for humankind. But the powerful tune we know today was not its original one
Travels in Italy with the teenage Mozart
Jane Glover follows the rapturous Wolfgang around Venice, Bologna, Florence and Naples on three journeys that would change the young composer’s life
The relationship between self and singer
If opera is acting, concealing the self behind a character, where does that leave the singer in the concert hall, caught between ventriloquist and dummy, wonders Ian Bostridge
Why are women composers still disregarded?
Leah Broad celebrates four pioneering musicians who battled male prejudice throughout the past century – yet the situation remains stubbornly unchanged
A playful provocateur
The world-class musician describes his early desire to shock, his delight in the sensual, his life-changing relationship with Catholicism and, finally, his debut at Carnegie Hall
Musings on harmony, melody and rhythm
Every Good Boy Does Fine – a banal phrase that also just happens to be the key to limitless wonder.…
Who’s in, who’s out?
From Ladybird’s The Story of Music (a dinky 50 pages, generously illustrated) to Richard Taruskin’s five-volume epic The Oxford History…
Bach’s Cello Suites represent a spiritual meditation — from the Nativity to the Resurrection
‘One player on four strings, with a bow.’ That’s what Bach’s six Cello Suites boil down to, says Steven Isserlis.…
The finest Falstaff you’ll see this summer
Comedy’s a funny thing. No, seriously, the business of making people laugh is as fragile, as mercurial as cryptocurrency —…
You'll shrug where you should marvel: Garsington's Amadigi reviewed
When you think of Handel’s Amadigi (in so far as anyone thinks about the composer’s rarely staged, also-ran London score…
Josquin changed musical history – why don't we hear more of him?
Stepping into the Sistine Chapel, the choir loft is probably the last thing you’d notice. ‘Loft’ is, frankly, a stretch…
Where to start with the music of Ethel Smyth
I’m reminded of an old Irish joke. A tourist approaches a local for directions to Dublin. The local, after much…
Astonishing, relentlessly pleasurable rediscovery – tantric opera: Luigi Rossi's Il Palazzo incantato reviewed
I don’t say this lightly, but after 20 years of opera-going, Luigi Rossi’s Il Palazzo incantato might just be the…
From ancient Greece to TikTok: a short history of the sea shanty
From ancient Greece to TikTok: Alexandra Coghlan on the pulling power of shanties
Another cracking take on the opera film: Marquee TV’s Turn of the Screw reviewed
I’m still waiting for the Royal Opera to step up. Nearly a year into the Covid crisis and what do…
How we became a nation of choirs and carollers
Alexandra Coghlan on how we became a nation of choirs and carollers
A coherent evening of real opera: GSMD's Triple Bill reviewed
Covid has been many things to the arts — most of them unprintable. A plague, a scourge, a disaster from…
Unobtrusively filmed, powerfully performed but still unsatisfying: LSO's Bluebeard reviewed
The timing couldn’t be better. Just as the gates clang shut on another national lockdown, trapping us all indefinitely with…
I don’t know when I’ve been more moved: Ora Singers at Tate Modern reviewed
It’s the breath I miss most. The moment when a shuffling group of men and women in scruffy concert blacks…
If we stop idolising Beethoven we might understand him better
Ludwig von Beethoven belongs among those men whom not only Vienna and Germany, but Europe and our entire age revere.…
After weeks of silence, Royal Opera reopened with a whimper
It was the fourth time, or maybe the fifth, that I found myself reaching for the tissues that I began…
The best recordings of Ravel’s L’enfant et les sortilèges
‘I don’t want to do my work. I want to go for a walk. I want to eat all the…
