If you’re going to make it up, please make it up better: Eiffel reviewed
Eiffel is a romantic drama purporting to show how a passionate but forbidden love inspired Gustave Eiffel to design and…
This lot should be sent to prison too: Where the Crawdads Sing reviewed
Where the Crawdads Sing is based on the bestselling book (by Delia Owens) that I picked up from one of…
Everyone involved should be in prison: Netflix's Persuasion reviewed
You may already have read early reviews of Netflix’s adaptation of Jane Austen’s Persuasion saying it’s ‘the worst adaptation ever’…
A goofy, non-taxing delight: Brian and Charles reviewed
Brian and Charles is a sweetly funny mockumentary about a lonely Welsh inventor who is not that good at inventing.…
The definitive Diana doc? Possibly not: The Princess reviewed
The Princess, a new documentary film, is the first re-framing of the Princess Diana story since it was last re-framed,…
The hips are electric but you will be willing it to stay put: Baz Luhrmann’s Elvis reviewed
Elvis is Baz Luhrmann’s biopic of Elvis Presley and it’s cradle to grave but told at such a gallop you’ll…
It’s wholly impossible to look away: Good Luck to You, Leo Grande reviewed
Good Luck to You, Leo Grande stars Emma Thompson as a retired, widowed religious education teacher in her sixties who…
It’s taken me days to uncringe: All My Friends Hate Me reviewed
All My Friends Hate Me is a film about a university reunion weekend and should you have an upcoming university…
A self-regarding take on I’m-not-sure-what: Bergman Island reviewed
Bergman Island sounds, on first acquaintance, like a theme-park attraction. Roll up, roll up! Let us speed you through the…
You certainly don’t watch Top Gun for the script
Top Gun is back, nearly 40 years after the original, with reprised roles for Tom Cruise (59) and Val Kilmer…
Quietly devastating: Benediction reviewed
Terence Davies’s Benediction is a biopic of the first world war poet Siegfried Sassoon told with great feeling and tenderness.…
Fellowes fluffs it: Downton Abbey – A New Era reviewed
Downton Abbey: A New Era is the second film spin-off from the TV series and, like the first, it doesn’t…
A hoot: The Unbearable Weight of Massive Talent reviewed
The Unbearable Weight of Massive Talent stars Nicolas Cage playing a version of Nicolas Cage, in a parody of Nicolas…
Mostly gripping – and boasts not one but two Mr Darcys: Operation Mincemeat reviewed
Operation Mincemeat is based on the book by Ben Macintyre, which in turn is based on what Sir Hugh Trevor-Roper…
Will put you in mind of Lost in Translation: Compartment No. 6 reviewed
Compartment No. 6 is set aboard a long train journey across Russia, a country we don’t hear much of these…
Didn't deserve an Oscar: Coda reviewed
This year the Oscar for best film went to the drama Coda– ‘Child of Deaf Adults’ – but the ceremony…
You will feel nothing: The Worst Person in the World reviewed
The Worst Person in the World is a Norwegian film that has made a big splash. To date, its star…
Fun, good-natured and schmaltzy: Phantom of the Open reviewed
Phantom of the Open is a comedy-drama telling a true story that would have to be true as no one…
Humourless and stale: The Batman reviewed
The latest Batman film, The Batman, may be a reboot, or even a reboot of a rebooted reboot that’s been…
Perfection: The Duke reviewed
The Duke is an old-fashioned British comedy caper that is plainly lovely and a joy. Based on a true story,…
May put you off Chaplin for ever: The Real Charlie Chaplin reviewed
Charlie Chaplin is one of the most famous movie stars ever and is certainly the most famous movie star with…
Staggeringly confident and powerful: After Love reviewed
As there are no stand-out films this week aside from Kenneth Branagh’s adaptation of Death on the Nile — is…
Sounds ghastly but it's somehow riveting: The Souvenir – Part II reviewed
The Souvenir: Part II is Joanna Hogg’s follow-up to The Souvenir (2019) but it’s not your regular sequel. It’s not…
Unpredictable, delicious and flamboyantly stunning: Parallel Mothers reviewed
Pedro Almodovar’s latest is a film about identity, secrets, lies, buried skeletons, real and metaphorical. But what you mainly need…
Manipulative and sentimental but also affectionate: Belfast reviewed
After Artemis Fowl and Murder on the Orient Express you may have had concerns about Kenneth Branagh ever helming a…
