What a remarkably bad electric guitar player Bob Dylan is
Finally, a taste of the authentic Bob Dylan live experience. On the two previous occasions that I’ve seen Dylan, in…
Terrifically good value: Nick Cave & the Bad Seeds reviewed
A few years ago, I received an early morning phone call from Nick Cave’s former PR, berating me for not…
Chrissie Hynde remains outstanding: the Pretenders, at Usher Hall, reviewed
A few hours before the doors opened for the Pretenders’ Edinburgh concert, Chrissie Hynde posted a message on her social…
I agree with pop’s war on iPhones – but King Canute might want a word
Before each show on the recent The The tour – reviewed in these pages last week – the pre-recorded voice…
The ethics of posthumous pop albums
‘At the record company meeting/ On their hands – at last! – a dead star!’ Back when Morrissey was more…
Elvis Costello remains the most fascinating songwriter Britain has produced in the past 50 years
Song for song, line by line, blow for blow, Elvis Costello remains the most consistently fascinating songwriter Britain has produced…
The Ava Gardner of the ketamine age: Lana Del Rey, at Leeds Festival, reviewed
As the American superstar starts singing another slow, sad, rather beautiful song, my mind begins to drift. I’m thinking that…
Fun, frenetic and only a little gauche: Declan McKenna, at the Edinburgh Playhouse, reviewed
Towards the end of Declan McKenna’s snappy, enjoyable 90-minute set at the Edinburgh International Festival, something quite powerful occurs. The…
Jack White’s new album will be of close interest to Led Zeppelin’s legal team
The ploy of releasing an album without any advance warning comes into play when an artist feels they are being…
Hard to love – but Shirley Manson is terrific: Garbage, at Usher Hall, reviewed
There’s nothing quite like the drama of a prodigal’s return. ‘I’ve been singing in this venue since I was ten…
Camila Cabello’s new album presents an existential threat to songwriting
It is always interesting to observe the ways in which pop stars try to negotiate first growing up, and then…
Does it matter how posh pop stars are?
‘A working class hero is something to be.’ Rishi Sunak and Keir Starmer must have missed the conflicted, sardonic edge…
The weird, hypnotic world of Willie Nelson
Many years ago, I wrote a book about Willie Nelson. At its conclusion, I reached for an elegiac, valedictory tone.…
Dense, melancholic, hypnotic: Brighde Chaimbeul, at Summerhall, reviewed
The hip end of the folk spectrum is in rude health right now. Dublin’s mighty Lankum lead the way, but…
Taylor Swift’s new album is exhausting
How to explain the supercharged star power of Taylor Swift? An undeniably gifted artist, Swift’s albums 1989, Folklore and Evermore,…
The mayhem ‘Born Slippy’ provoked felt both poignant and cathartic: Underworld, at Usher Hall, reviewed
On the same night Underworld played the second of two shows at the Usher Hall, next door at the Traverse…
